A Conversation with TOLEDO

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I was lucky enough to catch up with Massachusetts based indie-folk band TOLEDO to ask them a few questions about themselves and their stunning single Crane Song which appeared on Jam #4: Soul Surfin’ (Spotify | Apple MusicYouTube) from last month.

Dan and Jordan very graciously responded to all my questions with such honesty and unreserved openness. While reading their responses it makes so much sense that such a wholesome song was written and composed by such evolved souls.

Please do follow and support them on their websiteFacebookYouTube, Bandcamp and SoundCloud. I cannot thank them enough for their time.

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theMAZE: I’ve read that you both met while busking ages 12? What were you both playing back then?

Dan: We were both playing guitar I think but we were very very bad! There was a long period of time where I played piano and Jordan played guitar and that was the thing, but we have since changed a LOT.

theMAZE: Crane Song is a brilliant piece of music. I have so many questions! In India the crane is revered as the eternal symbol of unconditional love and devotion. In Japan, the crane or tsuru is a symbol of longevity and good luck. What is the crane to you?

Jordan: Thank you! It certainly is packed with symbolism and likely means something different for each listener. Weirdly enough when we were writing Crane I was inspired by this poem about a wooden bird – it had this inanimate object with glass eyes “watching” the events take place… For our song I loved the idea of these two young people falling in and out of love and there being a third party observing quietly.

theMAZE: In the second verse, I believe you are referencing the lovely story of The Little Prince? Who is your rose?

Jordan: NICE CATCH! This is exactly right.  Referencing The Little Prince helps reinforce the idea that these characters are young and still inexperienced in love. With each section of the song, its cool to imagine the characters getting older and wiser – the imagery in the first verse is very fantastic and whimsical and the lyrics get a bit more realistic and hardened as the song progresses.

theMAZE: “It is only with the heart that one can see rightly; what is essential is invisible to the eye.” Do you believe that we would all be better off following our hearts instead of our minds?

Dan: Yes! The heart can make you blindly do things you never would, like write a song about a weird bird! Our big philosophy is around impulsivity and raw emotion. The music we have released that is “mind-based” is much less personal than Crane Song and On My Own are. I think as a general rule of thumb, art and creativity should always be approached with your heart, because that is where your most authentic self lies.

theMAZE: There are so many subtle sounds throughout the song. Is that a tambourine in the background? At first, I thought it sounded like chains!

Dan: SO excited that you caught all that!! No chains of course, haha. But we placed a microphone outside and hung up a tambourine near it and let it do its own thing. The tambo has the most captivating performance in the entire song! Probably because we didn’t touch it!

theMAZE: What about the chirping birds? Can you describe the place where you recorded this song?

Dan: We tried to embody the space we recorded the song in as best as we could. And the birds wouldn’t stop chirping so we said “why not” and just had them sing their tune in the song. I like to think that they actually are just massive cranes singing along to their little opus. Glad you asked about the place! We record as a family friends cabin in Antrim, New Hampshire and it’s AMAZING. We are actually going there in a couple weeks to do a lot more stuff. 😉

theMAZE: What guitars do you guys play? I definitely hear a fender strat.

Dan: Close! We have a few, but I think on Crane its mostly a 62′ Duo Sonic that one of our mothers painted! It’s a super awesome guitar. At that time we also had a Guild m65 that has since been sold! But we recently acquired a really nice strat that you will be hearing in the new stuff!

theMAZE: I love how the song picks up in the middle section. Was that always the plan or did it just evolve into that? To me this is like the fun part of a relationship.

Jordan: I love that you are completely picking up on what each section represents! To answer the first question – NO it was not originally the plan to pick up the pace in the middle. Daniel brought that idea in and it was pretty nerve wracking at first because we had never done something like that before.

But it really “made” the song in the end and was really important to us as writers in terms of pushing us creatively. Its the section that we had the most fun recording and is absolutely supposed to represent the best parts of a relationship. Lyrically I feel like it’s moved past the falling in love and on to a need/obsession.

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theMAZE: But at the end love is not enough. The rose blooms and leaves. Is that what the end is supposed to mean?

Jordan: Unfortunately it is not enough. If we assume time is moving forward with each section, by now this relationship has ended. Daniel has said it feels a bit like wounds reopening. A few years removed from the situation, and youre able to look back and reflect and see how youve changed and what it was that changed you.

It’s an emotional section but its just as much about nostalgia as it is about regret. With the new voice singing this new section in a new time signature, its fun to imagine the crane is now the only one left …a vessel  to carry the weight of all of our memories and love and loss. It will remember the story even when the lovers have forgotten.

theMAZE: Is Daniel or Jordan singing on this song? Who plays the drums? The beats are sick!

Dan: Both! Dan sings the first couple verses, we both sing the chorus thing together, and then Jordan starts the upbeat section with the first line, Dan sings the second line, Jordan sings the verse thing after the loud sections, we sing the final chorus thing together. Sorry for the run on sentence, it’s pretty tough to describe the structure of something that has no structure! But, all in all, we usually split up the songs!

theMAZE: I’m sure everybody asks you this, but when are you going to release your first full length album?

Dan: I cannot tell you when, but I can tell you that an album (or EP) exists, a track order exists, and there are tons of new songs that we are hoping to present as our debut in the new few months! We will make sure that you get to hear it long before anyone else!

Just as a side note, we can’t explain to you how moved we were by these questions. It emotionally worked both of us up to have someone totally get it, and you get it like no one else ever has. It makes us feels excited and hopeful that one day we can build a fan base with people like you.

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Crane Song

There was a crane beside my bed
It lay about while we slept
And you could make it fly for you
And I tried to show my knees to you
I did..

I was the fox and you were my rose
You showed me how a boy could grow
And things would change you gave me time
When i was yours and you were mine

Oh, red and white poppies
All in a line
But you won’t follow
The arrow – steady now

There is a crane beside me waiting
I get carried away on the wind thats blowing
‘Cause you can make me fly to you
All the brash and brazen things you do

Don’t wanna talk, just wanna feel your love
My pretty lily bud
Things would change, you’d bloom in time
If i was yours and you were mine
I did…

I lose my mind, you pull my chord
You ask to meet me on your front porch
How sad to see you
Nothing has changed in me

You left a mark beneath my sheets
A little bird – fluttering
She speaks in words
I know them from long before

…But I wanna be
the alchemy in you.

Credits

Released February 26, 2018
Written by Daniel Alvarez and Jordan Dunn-Pillz
Mixed and Mastered by Harry Burr

 

A Short Conversation with Ezzyland

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I was able to catch up with Indian producer Sidharth Ezhilan a.k.a. Ezzyland to ask him a few questions about his track IDLU which appeared on Playlist #2 (Spotify | Apple Music | YouTube) from last week.

While IDLU is a departure from his typical style as he has collaborated with Korean vocalist Raychel, the more I listen to Ezzyland’s music it is quite evident that he doesn’t really have a style. Every track of his is fresh and unique in its own way.

It was really cool of Ezzyland to spare the time to answer my questions. Be sure to follow him on FaceBookBandcamp and Soundcloud to keep up with his latest music.

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theMAZE: Can you tell me what inspired you to compose IDLU? The reason I ask is it is quite different from your latest album Neon Grafx 3K9. For one it is one of the few tracks of yours which give vocals so much prominence.

Ezzyland: So here’s the story behind how IDLU (I Don’t Like You) came about. I was browsing twitter one day and one of the artists I follow, Giraffage, fav’d a tweet of a video of a girl singing a ukulele backed song. It was so pure and beautiful. I heard it a bunch of times and then dm’d the singer (Raychel) and told her I wanted to do a remix of her song. She re-recorded and sent me some vocal stems. I sat on the track for a couple days and that’s that.

It’s one of the two tracks I’ve made till date that has vocals throughout I think. I’ve had a bunch of friends on my neck for a while who’ve been telling me to drop music with vocals on it. So I did.

No two tracks of mine will sound the same. I’m just trying to do better than before and find my own signature sound. All my albums/EPs have a different flavour to them. Even the tracks within a project can be very contrasting.

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theMAZE: Can you tell me a bit more about the singer Raychel? Who is she? Where is she from? She has such a sultry voice!

Ezzyland: I know as much about Raychel as you do. Here’s a link to her twitter. https://twitter.com/imraycheljay

theMAZE: What language is she singing in? What do her words mean?

Ezzyland: The track is part English and part Korean. You can find the lyrics and their translation in the description of the track on my Soundcloud.

[Note: the lyrics are at the end of this post]

theMAZE: Do you plan to collaborate with other vocalists? Or do you prefer working on your own?

Ezzyland: I like to work with people I connect with on a personal level. If I’m able to understand their creative process and if I’m able to learn something from that collaborative experience then I’m all for it.

A collaboration for me, is very different from how I approach making a remix. If I work on my own, it’s faster. I like to have to have complete creative control but I’ve been learning to find a balance.

theMAZE: Is there any one song you consider your best?

Ezzyland: My go-to track to impress someone would be rustie not rustie

theMAZE: Any plans to play in Mumbai?

Ezzyland: I got to play at Future Theory Festival last year in Mumbai, shoutout Deep Brown. They cut me short after telling me to prepare a 2 hour set of original music because they wanted to listen to Techno instead.

theMAZE: Their loss! Thanks a ton for your time.

IDLU – Lyrics

no i don’t like you
너를 싫어한다고 (i said, i don’t like you)
and though you want me to
i’ll never be your lover

no i don’t like you
you broke my heart in two
and took half for urself
to display it on a shelf

why do you take me as a fool
나는 사랑만 했다고 (all i did was love you)
근데 마음이 아파요 (but my heart hurts)

oh i used to like you
in fact i used to love you
but these wounds on my soul
won’t allow me to let go

no i don’t like you
in fact i kind of hate you
미워해, 싫어해 (i hate u, dont like you)
꺼져버려요 (leave me alone)

why do you take me as a fool
나는 사랑만 했다고 (all i did was love you)
근데 마음이 아파요 (but my heart hurts)
(x2)

미워해, 미워해 (hate you, hate you)
싫어해, 싫어해 (don’t like you, don’t like you)
미워해, 미워해 (hate you, hate you)
너를 싫어해요 (i don’t like you)